Watching this film is like being the frog in a slowly boiling pot of water- you understand that something is wrong at the beginning, but by the time it is a dire problem, it’s too late to save yourself. There is plenty to be said about a historical two-sided story and the way it is told in the modern-day, but Effie Gray is almost so unbelievable that you forget it is based in fact. Related article: The Masters of Cinema Archives: Hollywood Insider Pays Tribute to ‘La Vie En Rose’, Exclusive Interview with Director Olivier Dahan Effie Gray Is An Immersive Experience Related article: Hollywood Insider’s CEO Pritan Ambroase: “The Importance of Venice Film Festival as the Protector of Cinema”
Ruskin, and Polly Dartford as Effie’s endearing little sister Sophie. Accompanying them was Tom Sturridge as Everett, the sympathetic Pre-Raphaelite artist, David Suchet as the berating Mr. She was the perfect foil to Julie Walters ’ Margaret Ruskin, John’s overbearing mother who is the complete definition of a nightmare mother-in-law. Every time Emma Thompson appeared on screen I took a deep breath of fresh air because her performance as Lady Eastlake was an overall delight. Wise went about this role with just the right amount of sinister energy, although I do wish they had leaned a bit more into his pedophilic nature, but the performance itself was just right nonetheless.
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Limited Time Offer – FREE Subscription to Hollywood Insider – Click here to read more on Hollywood Insider’s vision, values and mission statement here – Media has the responsibility to better our world – Hollywood Insider fully focuses on substance and meaningful entertainment, against gossip and scandal, by combining entertainment, education, and philanthropy.Īlongside Fanning was the entirely convincing Greg Wise playing the harrowing John Ruskin, and his foreboding presence on screen was neither demanding nor overpowering, but instead a subtle constant reminder of his power. Related article: The Power of Positivity: Ikorodu Bois + Chris Hemsworth + Russo Brothers + Sam Hargrave This film is absolutely one of Dakota Fanning’s understated performances and deserves far more praise than what she has received. As time and marital emotions grow stale, Effie’s complicated battle with sorrow and determination is explored in a masterful way- admittedly, Fanning was so convincing at times that I believed Effie’s story was over, she was resigned to a life she could not bear to live, and the movie was a lesson in life-long mistakes. Beginning the film with temperance and understanding, Fanning lights a fire underneath Effie and draws to the surface dedicated motivation to be the most efficient wife possible. As the Ruskin’s unsteady marriage continues its descent into wicked hatred, Effie takes it upon herself to fix the wrongs and make them right.ĭakota Fanning, as Effie Ruskin, gives an unmatched performance and brings to life a character with little dialogue or movement.
When Effie situates herself among the higher classes, she finds herself befriending a kind (yet powerful) woman named Lady Eastlake (Emma Thompson) who takes it upon herself to find the root of the young woman’s unhappiness. Effie finds herself haunting the halls of a home that does not seem to want her, with an overly critical mother-in-law and a husband who shuts himself away to work with no regard for Effie’s wants and needs.
Ruskin had known and cherished Effie since she was twelve years old, but upon their union-ship his attitude changed incredibly fast. The film opens on Effie ( Dakota Fanning ), a young woman who has recently come of age, on her wedding day to John Ruskin ( Greg Wise ), a renowned art critic and author on the Victorian era of English art. Related article: Trilith Studios: The Live-Work Film Neighborhood in Atlanta Providing COMMUNITY, the Missing Factor in Los Angeles
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